简介：2006年印尼日惹發生大地震，並將埋藏在地底、擁有兩公里長的頭骨化石暴露在人類的眼前，這項震驚世人的發現轟動了整個印尼，政府快速組成了研究小組以追蹤化石的起源，然而，政府官員以及科學家卻向公眾隱藏了關於該化石的秘密。直到某天印尼政府突然無預警關閉了研究小組進入化石區域的通道，一項駭人聽聞的恐懼陰霾即將朝人民襲來…

简介：Ethan is a young, shy and rather reserved designer who has suffered from insomnia for many years due to his terrible nightmares. Believing he has a personality disorder he decides to see a therapist to solve his problem, but it will be thanks to the help of his best friend and a medium that he will face a long journey, a journey that will lead him to discover that his nightmares hide a shocking truth, something darker and more sinister than he ever imagined.

简介：即将晋升的警察局长卷入一起致命事件，并发现了一个因怨恨而生、威胁到同事的阴谋。

简介：在一个禁止约会的国度，三名追寻幸福的少女决定加入一个由魅力领袖领导的隐居社区。

简介：一名年轻女子在离家千里之外的地方死去。一个男孩坐在她旁边。她不是他的母亲。他也不是她的孩子。他们共同谱写了一个令人难忘的故事，讲述了破碎的灵魂、无形的威胁、家庭的力量和绝望处境。改编自萨曼塔·施维伯林备受国际评论界赞誉的小说。

简介：知名畅销小说作家的遗作——他生前畅销小说的三部曲最后一集，即将发布。为了能在世界主要地区同时出版这本小说，出版商聘用了9名来自世界各地的翻译员，同时在现场翻译小说。他们被关进了一间豪华但守卫森严的套房，时刻在监视之下。然而，绝密手稿的前十页突然在网上流出，出版商也被勒索巨额赎金。如果不支付五百万欧元，还会继续泄漏内容。除了出版商和这9名翻译，没有人接触过这份手稿。出版商确信，泄密者就在他们9人当中。究竟谁是这一切的幕后操纵者？

简介：阿根廷版的“罗生门”。受黑泽明《罗生门》的影响很深，尤其表现在摄影镜头的运用上非常像，讲的是从一件离奇谋杀案中找出真凶的故事，但也有自己的特点。影片改编自阿根廷奇幻文学大师Marco Denevi的短篇小说，由著名剧作家Mario Soffici执导，是一部经典的阿根廷电影。1959年嘎纳最佳影片提名。

简介：十四岁的约翰从小就生长在修道院中，没有亲人，亦没有过去。一天，一位神秘的妇人安吉拉（玛利亚·若奥·巴斯托斯 Maria João Bastos 饰）找到了约翰，声称自己是他的亲生母亲，并且向约翰讲述了她曾经的故事。　　安吉拉是侯爵的女儿，她和伯爵之子席尔瓦（何塞·阿方索·皮蒙特尔 José Afonso Pimentel 饰）相爱，遭到了父亲的强烈反对。然而，叛逆的安吉拉并没有屈服，她腹中怀着席尔瓦的孩子，决定与其私奔。暴怒的侯爵派出杀手刺杀席尔瓦，甚至连安吉拉腹中的胎儿也不放过，幸运的是，安吉拉得到了一位神父和令一位神秘人的帮助，约翰才得以长大。成年之后，约翰来到巴黎，遇见了一位贵妇，他答应帮助贵妇找到杀死她哥哥的凶手，让约翰没有想到的是，这名凶手竟然正是当初帮助过他和他母亲的神秘人。

简介：Anniyan is the story of Ramanujam Ambi Iyengar (Vikram), a lawyer who suffers from Multiple Personality Disorder. Ambi is an innocent and honest lawyer. If he comes across anyone not obeying the rules he files cases against them but all his efforts go in vain.　　His constant habit to be perfect in rules and honesty leads him to develop a Multiple Personality Disorder in which a new character in him grows as Anniyan (Vikram) and starts a website called to hear people's complaints. The new character, Anniyan, is a violent man. When he is Ambi and comes across a person who does not obey rules he makes complaints in his website. When he is Anniyan, he goes and kills them by methods used for torturing people in hell. He apparently takes the definition of these methods from the Garuda Purana.

简介：在位于郊外的华丽别墅内，人过中年的整形医生罗伯特·雷德加（安东尼奥·班德拉斯 Antonio Banderas 饰）和忠心老仆人玛丽莉娅（Marisa Paredes 饰）居住于此。在过去的十二年里，他先后失去了妻子盖儿和女儿诺玛（Ana Mena 饰），一桩桩人间惨剧彻底颠覆了罗伯特看似完美的生活，同时也将他的事业与研究推向了完全未知的领域。在别墅的某个神秘房间内，居住着一个美丽且与世隔绝的女子，她叫薇拉（埃琳娜·安纳亚 Elena Anaya 饰），既是罗伯特的病人，又是他的实验对象，二人有着纷繁错乱的渊源。她经罗伯特之手精心塑造出来的容颜，将彼此紧紧缠绕在了一起……　　本片荣获2011年华盛顿影评人协会最佳外语片奖。

简介：久利奥，一个搞着自己论文的电影系学生，在他不忙于观看德国表现主义作品或经典恐怖影片时，在当地音像店度过大部分时间。在店里的一天晚上他与住在自己公寓外街道另一边的萨沙相识。而第二天，萨沙的母亲被发现死亡。久利奥确信谋杀的实施从阿尔弗雷德.希区柯克的影片中得到启发，于是违背女朋友的忠告，决定开始他自己的调查...

简介：这部影片讲的是幼儿园园长如何引导三个惯犯走上正道的故事。事有凑巧，可爱的特罗什金与危险的窃贼多岑特长得就像一对孪生兄弟。警方让其深入多岑特犯罪团伙，打探他们藏匿赃物的处所。但越狱了的真多岑特令事情节外生枝。将这部电影归入新年喜剧是因为，逃犯承认其生活方式不对这一最感人的情节恰好发生在辞旧迎新之际。《幸运先生》不仅仅是一部新年喜剧，事实上这部影片被视为最好的苏联电影之一。没有确切的统计数字，但主观感觉这部电影是苏联电影中产生名言名句最多的一部，粗略估算就有一百五十多句。莫斯科电影制片厂对面建了一尊叶甫根尼·列昂诺夫（Evgeniy Leonov）饰演多岑特一角的纪念铜像。俄罗斯几乎没人认不出这位著名演员和铜像上电影情节中的人物。有趣的是，有关部门曾因这部电影中有大量监狱俚语而不敢将其搬上银幕，最后还是（苏共总书记）列昂尼德·勃列日涅夫（Leonid Brezhnev）亲自拍板才使这部影片得以上映。

简介：A blind pianist tries to figure out who is responsible for a string of murders using a black cat with its caws dipped in curare.

简介：传说中，鹈鹕会啄破自己的胸膛，用鲜血滋养饥饿的幼鸟。身为驯马师的母亲领养了孤儿拉雅，谁料拉雅因从小心灵受到重创，无法像常人一样感知亲情，时而出现过激举动，让母亲和姐姐十分困扰。在自己和养女之间，母亲做出了无私的决定。来自女性导演的作品以悬疑、惊悚类型片的方式探索母性这一永恒的话题。

简介：

简介：这部惊悚片由塔菩希·潘努、维金兰特·马西和哈什瓦汉·拉纳主演，讲述了一名女子涉嫌谋害亲夫的故事。

简介：法医保罗自以为是的正义让他女儿惨遭绑架，他唯一的希望是困在无人岛上的漫画家琳达，她必须尽速代他执行一连串解剖且找到隐藏线索，才得以拯救保罗的女儿并揪出凶手。

简介：美国游客山姆隔着美术馆的玻璃窗，瞥见一宗企图谋杀，他的及时出现让凶手逃走了，获救的女子芳名莫尼卡。不久，山姆仿佛受了蛊惑似的对这宗谋杀着了迷，他决定追踪凶手的下落，这自然让他的女友朱丽娅很不快；而同时他和女友也开始接到威胁电话……

简介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

简介：This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off andor very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.　　Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.　　One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.

简介：美国作家彼得•尼尔（Anthony Franciosa 饰）善写恐怖惊悚小说，其作品风靡欧洲各国。不久前，意大利出版了他的最新作品——《坦妮布丽（Tenebre）》，很快他便收到一封来自罗马的信件。来信者称他从彼得的作品中得到灵感，并运用到杀人的实践中去。随后一名年轻漂亮的女子被人残忍杀害，其作案手法正与《坦妮布丽》中的杀人手法相同。　　彼得立即联系罗马警方，两名得力警探（Giuliano Gemma Carola Stagnaro 饰）随即受命调查此案。然而罪犯并未就此罢休，不断有年轻女性遇害。一时间人心惶惶，形势迫在眉睫……

简介：20世纪初欧洲的一个不知名的小镇上。为了调查一件离奇的谋杀案，请来了一位医生来为尸体解剖，查出究竟是怎么回事。医生在给尸体解剖后，镇上开始骚乱，一个接一个的死亡。

简介：A group of Czech artists choose to ignore the realities of Nazi occupation in this brooding experimental war drama. When a pretty female refugee comes to town seeking help, she awakens the sexual desires of all the men, but the only one who helps her is a sympathetic sculptor. When she is allegedly killed, the man sends the artists who refused to aid the woman death masks of the victim. All later conclude that the woman was not mortal.

简介：In this sci-fi chiller, a young woman's peace is shattered when she begins hearing loud screams in her head. They are the agonized wailings of an astronaut deliberately marooned upon the moon by a double-crossing experimenter. Soon the woman becomes possessed by the astronaut.