Lauren wants to rebuild her community, including her family home, in the aftermath of a devastatingly disastrous storm.
50年代的美国,年轻女子特芮丝(鲁妮·玛拉 饰)在纽约百货公司担任售货员,但心中向往的却是摄影师工作。某日,一位美丽优雅的金发贵妇卡罗尔(凯特·布兰切特 饰)来到百货公司购买圣诞节礼物,结果和特芮丝一见投缘。两人相识后特芮丝得知原来卡罗尔有一个女儿,而且正和丈夫哈吉(凯尔·钱德勒 饰)办理离婚手续。通过书信来往、约会相处以及公路旅行,特芮丝和卡罗尔发现彼此就是自己的真爱,然而在当时社会这是不被允许的。特芮丝的男友认为她只是一时迷惑,卡罗尔的丈夫则请私家侦探调查取证,希望在离婚诉讼中让她一无所有。考验两位女性的时刻终于到来了:在社会压力下她们能否坚守内心、不计代价的把感情路走到底? 《卡罗尔》是美国著名独立导演托德·海恩斯的新作,入围第68届戛纳电影节主竞赛单元,获得最佳女主角奖。电影根据派翠西亚·海史密斯在1952年匿名发表的中篇女同小说《盐的代价》改编,由于题材敏感,最初出版社还拒绝发行。之所以叫“盐的代价”,因为在17世纪“盐”还有另一个意思表示女性的情欲。而在本书中它隐喻了女主们的处境:没有爱情就像没有盐的肉;那么为了这份爱,你愿意付出多少代价?
乔乔是一位在巴黎的菲律宾艺术家,他有许多情人,但没有一个能填补他生命中神秘画作灵感来源所占据的空缺。他的心被这个没有名字、没有历史的女人所俘虏。像指南针一样,他在每个遇见的女孩身上寻找她,希望她会成为“那个人”。有一天,一个名叫玛丽的女人走到他面前,并声称自己是他画作中描绘出来的主题。
In the sixth installment of the Gabriel's Inferno series Julia deals with the aftermath of Gabriel's departure while Gabriel goes on a journey of self-discovery.
克拉克盖博在刚出道时跟性感女星简哈露合演的《莫街谋杀案》是他的成名作。二十年后由他自己重演同一角色,女主角则换上热情的艾娃加德纳和冷艳的格雷斯.凯利。这个重拍版本将故事背景从东南亚的橡树林改到非洲大陆,描写探险队员维多爱上歌舞女郎艾洛丝,迅速打得火热。但当人类学家唐纳带着他的妻子琳达出现时,维多却把爱情目标转向琳达,造成了无可挽回的三角悲剧。 本片并不是导演约翰.福特的代表作,但他处理这个充满原野风味的三角爱情故事仍然虎虎生风,不乏戏剧性,而且安排了大量的狞猎动作和大自然景色来烘托爱情冲突,效果不错。
十七岁的达米安(卡西·莫泰·克莱恩 Kacey Mottet Klein 饰)是一名孤独的少年,他的父亲内森(亚历谢斯·罗莱特 Alexis Loret 饰)由于工作的原因常年不在家,父子两人聚少离多。达米安自小和母亲玛丽安(桑德利那·吉贝尔兰 Sandrine Kiberlain 饰)过着相依为命的生活,个性难免变得怯懦而阴柔,为此遭到了不少的欺凌和嘲笑。 某日,达米安结识了一位名叫托马斯(科伦汀·菲拉 Corentin Fila 饰)的少年,两人刚一见面就相互看不顺眼,势同水火。可是,让达米安没有想到的是,母亲竟然收养了无人照顾的托马斯,两人竟成为了住在同一屋檐下的兄弟。随着时间的推移,达米安和托马斯,两颗孤寂的灵魂之间产生了特殊的羁绊。
摄影师杨展追求叶文惠十年,叶文惠发现未婚夫宋方明出轨,为了报复未婚夫而与杨展发生关系,但没多久,叶文惠与宋方明复合,一脚踹开了备胎杨展,痛不欲生的杨展跟踪宋方明,发现宋方明的出轨对象竟然是叶文惠最好的闺蜜刘畅,但杨展并未将这一真相告诉蒙在鼓里的叶文惠,因为经过三个月的跟踪,杨展潜心模仿宋方明的言谈举止,整容成宋方明的相貌,最终杀死宋方明,替代宋方明与叶文惠走进婚姻殿堂。但很快,在复仇与负罪的阴云下,杨展把叶文惠当做自己变态扭曲心理的发泄口,上演了一幕幕性虐与虐心的惨剧,就在叶文惠察觉“丈夫”真相的时候,事态急转直下,叶文惠像变了个人一样与宋方明和好如初,究竟是叶文惠要展开更大的反扑还是两人之间还有更多的谎言与诡计,影片或许会给出更离奇的答案……
少女琳(陈慧琳)患有血癌,就在她迷失于生与死的边缘时,结识了成熟稳重的苏格兰船员阿德(王敏德),听过阿德所讲的关于他故乡天涯海角的故事后,琳感觉到一份莫名的缘分,然而突然间阿德消失,失落之际,琳碰到专门替人寻找失物的阿虫(金城武),聘请下他寻找阿德,经过阿虫的辛苦努力,琳与阿德终又见面,原来阿德准备回故乡定居。 阿德走后,琳和阿虫一起做事时获得一种从没有过的充实和快乐,然而她的心里始终惦念着天涯海角,并决定在生命结束之前,一定要去那里一趟。
该片改编自浅原直人小说《她喜欢的是BL而不是我》,电影讲述隐藏自己性取向的男高校生安藤纯(神尾)和隐藏自己腐女身份的同学三浦纱枝的恋爱故事,描写了安藤在普世价值观和性取向之间的挣扎。
A most pleasingly atmospheric rendition of the tale, noirishly photographed and moodily set, this is the version which probably would have delighted Conan Doyle the most. There is one important plot change which enables the beautiful Alice Brandt to enjoy both a larger role and a more intriguing part in the proceedings. This change also builds up the parts of Dr Mortimer and Lord Charles, yet at the same time provides a nice introduction to the is-he-sinister or is-he-a-good-guy Barrymore, deftly played here by Fritz Rasp. Despite the sting of its well-developed story, the spellbindingly atmospheric direction and the engrossing performances delivered by the entire cast, many fans may find this version somewhat disappointing. For at least three reasons: As in the novel, the part played in the narrative by Sherlock Holmes, though vital, is minimal. And in this version, not only has no attempt been made to enlarge his role, if anything both writer and director do their best to minimize it. Holmes does not even make his entrance for half-an-hour, and when he does finally appear, he has his back to the camera. It is Fritz Odemar, as Dr Watson, who receives the more favorable camera angles. And there is a purpose in this. It is Watson, not Holmes, who figures as the main protagonist of The Hound of the Baskervilles. For the bulk of the narrative, Holmes disappears. It is Watson and Lord Henry (Peter Voss) who take up the running. The movie is almost over, before Holmes closes in on the villain. And even so, this is not the obsessed, self-important Holmes we are accustomed to see taking charge. Another problem is that the title hound itself does not figure a great deal in the action, a downgrading which will undoubtedly rate as another major disappointment for fans. And finally, it could be argued that the script gives too much attention to Conan Doyle's red herring, the escaped convict, and not enough to the real villain. This said, it must surely be admitted by all, that Odemar's interpretation of Watson—intelligent, charming, level-headed, courageous and resourceful—is much closer to Conan Doyle's conception than either the bungling, inveterately stupid Nigel Bruce or the self-effacing Ian Fleming. One other player deserves special mention: Erich Ponto (Dr Winkel in The Third Man) who seems exactly right for Stapleton. A difficult part, superbly played. - JohnHowardReid, imdb
牵牛(车太贤饰)第一次与她(全智贤饰)邂逅,就毫无浪漫感可言。在地铁上她就语出惊人,喝的醉醺醺的她大声训斥不自觉给老人让座的人,吐完之后就软趴趴地倒了下来。善良的牵牛上前接住,于是就只好背着她到旅馆投宿了。但是好心不一定有好报,牵牛正在好好洗澡时就被冲进来的警察带走了。 然而这两个人却从此开始约会了。她很霸道很任性,然而当她用那张可爱的面孔对着你笑时,你也忍不住心软。于是牵牛也心甘情愿地被她折磨。渐渐的,牵牛感觉到她的内心受伤了,他用尽全力去呵护去保护,她仍然缺乏安全感。虽然在一起很快乐也很感动,她却仍然提出了一个难以接受的约定:让我们先分开吧……
陈天送(林家栋 饰)出生在一个贫困的家庭之中,却偏偏爱上了千金大小姐高诗琴,两人的地位和身份悬殊是如此的巨大,注定了他们的感情不会受到祝福,亦不会有所结果。最终,两人分道扬镳,在陈天送的心中留下了深深的遗憾和阴影,他只能借着制作风筝来纪念这段逝去的爱情。 某日,陈天送遇见了名为高曼华的美丽女子,让陈天送感到十分意外的是,高曼华竟然有着和高诗琴一模一样的样貌,这让陈天送无法自持的靠近她,但在内心中又充满了深深的抗拒和纠葛。高曼华来到吉兰丹,为的是寻找曾经伤害过母亲的男人,而她的母亲不是别人,正是高诗琴。