现代启示录

简介：

A rigged box match that goes wrong, connects the fates of three unaccomplished men.

简介：

桃乐丝是一名24岁的布鲁克林学校老师。一日，当她在暴风雨中走出家门，没想到竟走入了神秘的欧兹国，她沿着黄砖道寻找回家的路，一路上碰到了稻草人、锡铁人与胆小的狮子，四人一同往翡翠市前进，却遇上大巫师的百般阻挠。勇敢的桃乐丝是否能找到回家的路呢？

简介：

《黑蟹行动》是一部瑞典动作惊悚片，背景设定在因战争而四分五裂的末日后世界。在一个漫长而严酷的冬天，六名士兵开始了一项秘密任务 — 冒着生命危险穿越冰冻的群岛运送一个据说能结束战争的包裹。当他们进入敌人的领地时，他们不知道前方会有什么危险，也不知道自己可以信任谁（如果有的话）。但对于速滑运动员出身的士兵卡罗琳·埃德来说，这个任务完全是另一回事。《黑蟹行动》由劳米·拉佩斯主演，亚当·伯格担任导演，讲述了六名士兵为了结束摧毁他们生活的战争而执行一项艰巨任务。

简介：

　　大卫（布兰登·费舍 Brendan Fraser 饰）是一名出色的橄榄球运动员，因为这个专业，他获得了奖学金，前往著名的贵族高中圣马修学校深造。在贵族学校里，大卫结识了许多好友，其中亦包括英俊帅气的查理（马特·达蒙 Matt Damon 饰）。
　　因为在学校的橄榄球队里大放异彩，大卫很快就成为了校园中的名人，就连查理的女友莎莉（艾咪·洛肯 Amy Locane 饰）都对他暗送秋波，这让查理感到妒火中烧。然而，某日，大卫在学校里的地位忽然一落千丈，原来，查理将他犹太人的身份公之于众，大卫就此开始了处处受人排挤的悲惨生活。一场考试中，老是怀疑某位学生作弊，矛头直指大卫，面对这不白之冤，大卫该如何反击呢？

简介：

该片改编自张爱玲同名短篇小说。佟振保（赵文瑄）是有“柳下惠”好名声的男子，然而在遇到老同学风情万种的妻子王娇蕊（陈冲）后，心还是乱了，可是当王娇蕊把一颗真心全给了他时，他却因没勇气承受太多责难临阵脱逃。顺着母亲的意思，振保同他并不欢喜的人如白纸般单薄的孟烟鹂（叶玉卿）结了婚，可是因为欲望的不能满足，他开始在外嫖妓，婚姻生活没令他有任何收获。　　在振保和烟鹂的日子陷入无法收拾的境地时，他意外邂逅了娇蕊。娇蕊的改变令振保陷入沉思，“旧日的善良又一点点回到他的体内。”（张爱玲）

简介：2009年3个年轻人在黄石国家公园的遥远区域被杀害。仅仅几小时后，Dwayne Nelson走到一个护林站，声称自己是罪犯。尽管他详尽的陈述，Nelson因为美国宪法的漏洞被无罪释放。记实小说作者Julian T. Pinder为了追求犯罪真相旅游到黄石公园，而真相会震动整个国家。美国宪法怎么会让一个罪犯脱身？在完美罪行中唯一一个比愚蠢的暴力行为更令人震撼的是紧随的离奇事件 。

简介：中年的弗朗索瓦（布鲁诺·克雷默）是名哲学老师，他和风度怡人的妻在小镇里过着中规中距的生活。然而他的学生，17岁的少女玛蒂尔（凡妮莎·帕拉迪丝）出现了，带着少年人少有的成熟和不羁。　　弗朗索瓦带着挽救堕落少女的心情走近她，却难以抑制的被玛蒂尔的热情和聪慧所吸引。他们相爱了，激情四溢，刻骨铭心。可是当玛蒂尔要求弗朗索瓦离开妻，与她一起时，男人退缩了，他想到了年龄，婚姻，道德，身份，想到了太多的琐碎。　　再次绝望的玛蒂尔用激烈的方式破坏老师的生活，颠覆了他的事业与婚姻，然后消失的无影无踪。当人们再次发现她的时候，她的房间里写着“弗朗索瓦，这里就是海。”

简介：

　　After their father's death, estranged sisters stumble upon his hidden fortune, forcing them to decide whether to keep the money or do the right thing.

简介：电脑系大学生颜千民与邱月清因宿舍床位紧张，只好入住风尘女集中之所，此事经新闻发布吸引了由美国返港的林宝儿亦来此入住，身为童子鸡的颜与邱二人凭借IT技术为众风尘女解围。

简介：

　　伊丽莎白·莫斯将与《使女的故事》导演戴纳·里德再度合作，主演后者执导的新片[兔子快跑](Run Rabbit Run，暂译)。剧本由《凛冬将至》小说作者汉纳·肯特原创构思，莫斯饰演的母婴医生坚信活着与死亡的区别，但在注意到小女儿的奇怪举止后，她必须挑战自己的价值观，面对自己的鬼魂。

简介：Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop　　Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller.　　The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters.　　Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppieviolence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge.　　However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.