165
10.0

绑架新娘

导演:
威廉·凯利
主演:
詹姆斯·贾克内,贝蒂·戴维斯,斯图尔特·艾尔文,尤金·佩里特,杰克·卡森,乔治·托比厄斯
别名:
未知
10.0
165人评分
未知
语言
1941-07-12
上映时间
未知
片长
简介:
琼(贝蒂·戴维斯 饰)是一位德州大亨的女儿,她认识了一个名叫阿伦(杰克·卡森 饰)的乐队指挥,他们迅速地发生了爱情并决定私奔。史蒂夫(詹姆斯·贾克内 饰)是一位手头非常拮据但英勇好斗的飞机师,他与琼的父亲做了一笔交易,奉命接送这位德州大亨的未婚女儿回到内华达她父亲的牧场结婚。但在飞机起飞后,琼却误以为自己被绑架,伺机从飞机上逃脱。然而,祸不单行的是,飞机发生了严重的故障,被迫在沙漠上降落。这时候,那位乐队指挥也正好带着一位传教士赶来,他们要在这加利福尼亚的这片沙漠上举行婚礼。于是,两个冤家对头碰在了一起,闹出不断的笑话。因为飞机师史蒂夫也想娶到这位百万富翁的女儿。
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简介:Salomé (1923), a silent film directed by Charles Bryant and starring Alla Nazimova, is a film adaptation of the Oscar Wilde play of the same name. The play itself is a loose retelling of the biblical story of King Herod and his execution of John the Baptist (here, as in Wilde's play, called Jokaanan) at the request of his stepdaughter, Salomé, whom he lusts after.  Salomé is often called one of the first art films to be made in the U.S.[citation needed] The highly stylized costumes, exaggerated acting (even for the period), minimal sets, and absence of all but the most necessary props make for a screen image much more focused on atmosphere and on conveying a sense of the characters' individual heightened desires than on conventional plot development.  Despite the film being only a little over an hour in length and having no real action to speak of, it cost over $350,000 to make. All the sets were constructed indoors to be able to have complete control over the lighting. The film was shot completely in black and white, matching the illustrations done by Aubrey Beardsley in the printed edition of Wilde's play. The costumes, designed by Natacha Rambova, used material only from Maison Lewis of Paris, such as the real silver lamé loincloths worn by the guards.  No major studio would be associated with the film, and it was years after its completion before it was released, by a minor independent distributor. It was a complete failure at the time and marked the end of Nazimova's producing career.  A longstanding rumor, which seems to have started while the film was still in production, suggests that its cast is comprised entirely of gay and bisexual actors in an homage to Oscar Wilde, as per star and producer Nazimova's demand. It is, of course, impossible to say, but one of the extras in Salomé reported that a number of the cast members—both featured and extras—were indeed gay, but not an unusual percentage of them, and certainly not all of them. What can be said is that Nazimova herself was a lesbian, the two guard characters (who, next to Salomé, have the most screen time) are at least played very stereotypically gay, and several of the female courtiers are men in drag.  Salomé was screened in 1989 at the New York International Festival of Lesbian and Gay films and in 1990 at the New York Gay Experimental Film Festival.  In 2000, the United States Library of Congress deemed the film culturally significant and selected it for preservation in the National Film Registry.
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